8K. LASER. HDR. The art of projection.

World’s First Home Projector Capable of Inputting 8K60p/4K120p Signals

These projectors adopt LSI’s developed with the latest technology to process the vast amount of 8K input data, and an up converter to bring any source up to high definition 8K resolution. As a result, more beautiful and realistic video images full of contrast and reality can be enjoyed regardless of the source, from video streaming to 4K UHD-BD videos.

Newly-Developed 8K E-Shift Technology to Achieve 8K Resolution

Significant progress has been made to our proprietary 8K/e-shift technology – which combines “e-shift” high-resolution display technology, that doubles the resolution by shifting a pixel by 0.5 pixels, and 0.69-inch native 4K D-ILA device. Shift direction has increased from the conventional two diagonal directions to four directions of up, down, left, and right, to enable display of 8K signal information in its entirety. The result is an 8K resolution, enhancing the sense of three-dimensionality and immersion.

4K120p Input Ideal for Low Latency Mode

Because these projectors are equipped with 4K120p input, signal latency is infinitesimal, making it effective when displaying high frame-rate gaming content on large screens. What’s more, Low Latency Mode reduces delay in displaying PC signals and games, and improves response to the users’ rapid operations.

Essential All-Glass Lens to Depict All Data in 8K/4K Images

The high-end DLA-NZ9 is equipped with an 18-element, 16-group all-glass lens featuring a full aluminium lens barrel. To project highresolution 8K images to every corner of the screen, the projector incorporates five ED lenses calibrated for differences in the R/G/B refractive index to reduce chromatic aberration and colour fringing when lens shift kicks in to deliver precise reproduction of 4K- or 8K-resolution projection.

Ultra-High Contrast Optics with 4K D-ILA Device

High-resolution image projection is reliant on the device and the optical system. The refined 0.69-inch 4K D-ILA device has doubled the speed required, to display images from 120 Hz to 240 Hz-equivalent. The new Ultra-High Contrast Optics featured on the DLAーNZ9 contribute to achieve optical brightness as high as 3,000 lumens, and the new optics has dramatically improved the image quality by thoroughly suppressing the return of unnecessary light to the projection screen.

BLU-Escent Laser Diode for Reliably Exceptional Brightness and Longevity

The light source for these projectors is the latest blue laser diode BLU-Escent, which is featured in JVC projectors. BLUEscent technology has been adopted for home theatre projectors to achieve exceptional brightness and longevity of 20,000 hours*. Laser diode allows dynamic control of brightness to reproduce images that are closer to human perception. Combining the latest BLU-Escent package with the D-ILA device achieves detailed, smooth, powerful video expression.

*In theory, this amounts to 20 years or more while watching a 2.5-hour movie every day.

Unparalleled Black Level Through High Contrast Ratio and High Luminance

The 0.69-inch 4K D-ILA device and the optical engine employing a wire grid alone realize a native contrast of 100,000:1 on the DLA-NZ9. But on top of that, in combination with the dynamic light source control that automatically controls the output of the laser light source by analyzing the input video source, an astonishing dynamic contrast of ∞ (infinity) :1 has been achieved not only for the high-end model but for all models equipped with the BLU-Escent light source. The synergistic effect of the ultimate dynamic range created by the high luminance will allow you to experience impressive, high-quality 8K images full of reality.

New Algorithm for Laser Dynamic Control

Laser Dynamic Dimming control was previously based on the average luminance of the entire scene. With the new mode, adjustment is based on peak luminance. This results in images with increased dynamic range. In particular, the new mode improves reproduction of content such as stars twinkling in pitch blackness and nightscapes. In addition, even images with low peak luminance can be enjoyed with a greater sense of contrast.

*The feature supports software version v2.00 and later versions.

DCI-P3-Equivalent Wide Color Gamut for Vivid Color Images

The use of a laser light source and cinema filters enables a wide color gamut equivalent to DCI-P3, not to mention BT.709. HDR content, as typified by UHD Blu-rays, uses a much wider color gamut than ever. When such content is projected on the DLA-NZ9 or the NZ8 with a wide color gamut, it is possible to richly reproduce colors that were difficult to reproduce until now, such as the gradations of the sky and ocean, the contrast of red roses or a row of fresh green trees.

HDR10+ Support For Your Choice of Two Dynamic Tone Mappings

When it comes to reproducing the rich video information of HDR content including the extended brightness range, BT.2020 wide colour gamut and 10-bit gradation, rely on one of the new D-ILA projectors. New models support all HDR formats including HDR10 for Blu-ray and streaming, HLG for broadcasting, and the latest HDR10+ signal format with dynamic metadata compatibility.

JVC projectors are compatible with the two dynamic tone mappings of HDR10+ and Frame Adapt HDR. HDR10+ contains the metadata of the producer’s intentions for each scene, Frame Adapt HDR instantly analyses the peak brightness in HDR10 content using an original algorithm. Ensuring you can watch any HDR content in optimal picture quality.

Improvements to Frame Adapt HDR

● Theater Optimizer for optimal reproduction of HDR content suitable to each environment.

●HDR Quantizer with New Auto (Wide) level mode

● Auto (Wide) provides brighter/more dynamic HDR images.

● Additional Frame Adapt HDR picture modes

● Allows for optimum playback with the widest variety of lighting conditions or theater environments.

FILMMAKER MODE™ That Faithfully Matches the Creator’s Intentions

FILMMAKER MODE™ was developed by the UHD Alliance, an organization of Hollywood movie studios, TV studios, content distributors, consumer electronics manufacturers, and device developers, with the aim of faithfully reproducing the filmmakers’ intentions in the home. When using this mode, picture quality adjustment functions such as frame interpolation and noise reduction are turned off, and the color temperature is set to D65 (6500K), allowing users to enjoy movies and documentaries with picture quality that is faithful to the original master.

*The feature supports software version v2.00 and later versions.

Lens Shift Function

Flexible installation is made possible thanks to the wide lens-shift function. As described in the diagram, wide shift ranges are offered vertically and horizontally to help deliver natural projected images without distortion.

● Clear Motion Drive supporting 4K60P (4:4:4) signal improves moving images more than ever

● Color Management System with 6-axis Matrix

● Eight settings of Installation Mode include Lens Control, Pixel Adjustment, Mask, Anamorphic on or off, Screen Adjust, Installation Style, Keystone, and Aspect; stored installation modes for various environments can be called up.

● ISF C3 (Certified Calibration Controls) mode to reproduce excellent picture quality optimized for specific environments

● Auto-Calibration Function using an optical sensor.

● Wireless transmission options for 3D viewing

Technical Specifications

Device
D-ILA Technology
Yes
Chip Type
0.69-inch 4K D-ILA device
Native Resolution
4096 x 2160
Number Of Chips
3
8K/e-shiftX
Yes
Display Resolution
8192 x 4320
Light Source
Laser
Yes
Type
BLU-Escent Laser Diode
Life Time (Standard Mode)
20000 hours
Picture
Brightness
3000 lm
Dynamic Contrast
∞ : 1
Native Contrast
100000 : 1
Dynamic Light Power control
Yes
Modes
Mode 1 (gentle), Mode 2 (strong), Off
Manual Aperture
Yes
Range
-15 (stops down) to 0 (opens up)
DCI-P3 Color Gamut
Yes
100% REC 709
Yes
Color Bit Depth
12 bit
ISFccc Certification
Yes
HDR
HDR10
Yes
HDR10+
Yes
Frame Adapt HDR
Yes
Theater Optimizer
Yes
HLG
Yes
Auto Tone Mapping
Yes
Mastering Info Display
Yes
Info data
MaxCLL and MaxFALL mastering data
HDR Picture Modes
BT.709 / BT.2020 / DCI / HDR
FLIMMAKER MODE
Yes
Lens
Zoom
2 x
Throw Ratio
1.35-2.75:1
Diameter
100 mm
Material
All-glass
Build
18-element, 16-group in full aluminium lens barrel.
Lens Shift
Yes
Range Horizontal
± 43 %
Range Vertical
± 100 %
Motorized Zoom
Yes
Motorized Shift
Yes
Motorized Focus
Yes
Projection Display size (diagonal)
60 - 300 inch
Memory Function
Yes
Number of user presets
10
Lens Cover
Yes
HDMI
HDMI
Yes
Number of Inputs
2
Data Rate
48 Gbps
HDCP Version
2.3
8K60P signal input
Yes
4K120p signal input
Yes
4K60P signal input
Yes
Video Signal range
480p, 576p, 720p 60/50, 1080i 60/ 50, 1080p 120/ 100/ 60/ 50/ 30/ 25/ 24, 3840 x 2160p 120/ 100/ 60/ 50/ 30/ 25/ 24, 4096 x 2160p 120/ 100/ 60/ 50/ 30/ 25/ 24, 7680 x 4320p 60/ 50/ 30/25 /24
PC Signal range
VGA / SVGA / XGA / WXGA / WXGA+ / SXGA / WSXGA+ / UXGA / WUXGA / WQHD (60) / WQHD (120)
Input Level Adjustment
Auto / Standard (16-235) / Enhanced (0-255) / Super White (16-255)
Color Space Range
Auto/ YCbCr4444 / YCbCr422 / RGB
EDID Modes
A and B (older hardware may need to use B settings)
Connections
Trigger out
Yes
Connector
Mini-Jack (3,5mm)
Power
DC 12V / 100mA
3D Synchro
Yes
Connector
Mini DIN 3-pin
LAN
Yes
Connector
RJ45
RS-232
Yes
Connector
D-sub 9-pin
Service
Yes
Connector
USB (Type A) for firmware update.
3D
3D Capability
Yes
3D Versions
Frame Packing, Side-by-Side, Top & Bottom
Frame Packing Resolutions
720p 60/50, 1080p 24
Side-by-Side Resolutions
720p 60/50, 1080p 60/50/24, 1080i 60/50
Top & Bottom Resolution
720p 60/50, 1080p/24
3D Emitter (Optional)
Yes, PK-EM2
3D Glasses (Optional)
Yes, PK-AG3
Picture Settings
Picture Modes
Natural, Cinema, Film, HDR10+, Frame Adapt HDR, HDR10, HLG, Pan_PQ, 6 User modes
Color Temperatures
Xenon 1, Xenon 2, 5500K, 6500K, 7500K, 9300K, High Bright, HDR10+, HDR10, HLG, Custom 1, Custom 2
Gamma Processing Depth
12 bit
Gamma Adjust
HDR (Auto), HDR(PQ), HDR(HLG), 2.2, 2.4, 2.6, Cinema 1, Cinema 2, Film 1, Film 2, Pana_PQ, 3 Custom modes
Color Management
6-Axis adjustable CMS
MPC
Yes
Low Latency Mode
Yes
Clear Motion Drive
Yes
Motion Enhance
Yes
Auto Calibration
Yes
Optional Probe needed
Yes
Installation Mode
Yes
Number of modes
8
Included settings
Lens Control, Pixel Adjustment, Mask, Anamorphic on or off, Screen Adjust, Installation Style, Keystone, and Aspect
Anamorphic Modes
4 Modes (A, B, C, D)
Control4 SDDP
Yes
Power & Environment
Power Requirement
AC100-240V, 50/60Hz
Projector in Use
440W
Standby
Eco-mode: 0.3W
Network Standby
1.5W (LAN)
Fan Noise
24 dB
Eco Mode
Yes
Standby Timer
Yes
Operating Temperature
5°C to 35°C
Operating Humidity
20% to 80%
Installation Angle
Horizontal +/- 5 degree / Vertical +/- 10 degree
Installation Height
Below 2,000 m
In the box
Remote Control
Yes, RM-MH27
User Manual
Yes
Power Cord
Yes
Batteries
Yes, 2 x AAA-size batteries
Dimensions & Weight
Product Weight
55.7 Lb

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